Victor Perez was a Jewish boxer who became world flyweight champion in 1931 and 1932, but was transported to Auschwitz concentration camp when Paris fell to the Nazi s in 1943. While there he was forced into slave labour and made to participate in violent boxing matches for the amusement of the Nazi guards. Surviving Auschwitz tells Victors astonishing, harrowing, brutal and incredibly moving true story.

Hogan’s Heroes is an American television sitcom that ran for 168 episodes from September 17, 1965, to July 4, 1971, on the CBS network. The show was set in a German prisoner of war camp during World War II. Bob Crane starred as Colonel Robert E. Hogan, coordinating an international crew of Allied prisoners running a Special Operations group from the camp. Werner Klemperer played Colonel Wilhelm Klink, the commandant of the camp, and John Banner was the inept sergeant-of-the-guard, Hans Schultz.

The series was popular during its six-season run. In 2013, creators Bernard Fein through his estate and Albert S. Ruddy acquired the sequel and other separate rights to Hogan’s Heroes from Mark Cuban through arbitration and a movie based on the show has been planned.

Brian Barnes (Johnny Messner) wakes up in the desert wounded and with no memory and no idea why he’s surrounded by eight bodies, a van with four million in cash and a van full of cocaine. Brian is pursued by not only notorious drug lord Danny Perez (Danny Trejo) who desperately want his money back, and DEA Agent Rooker (Dolph Lundgren), but also a by the corrupt Sheriff Olson (Michael Pare) who will stop at nothing to get his hand on the new found fortune. On the run, Brian discovers the more he remembers the less he wants to know about who he really is.

The amazing footage you will see in this documentary was recorded during an expedition to the Amazon in South America. It has been assembled as per the camera time codes. It has not been altered or tampered with in any way and after extensive testing has been considered absolutely genuine. What you will see will change the way you view the natural world. Are you ready for that? For in the heart of the rainforest, a team of researchers led by the respected Professor John Howson strived to protect endangered and vulnerable species from extinction. But their guides abandoned them after a series of strange and unexplainable events and the team soon got hopelessly lost in the jungle. When events took a horrifying turn, the team realized that they were in the hunting grounds of an apex predator. And now they were the ones on the endangered species list.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Jobless sportswriter Eddie Willis is hired by corrupt fight promoter Nick Benko to promote his current protégé, an unknown Argentinian boxer named Toro Moreno. Although Moreno is a hulking giant, his chances for success are hampered by a powder-puff punch and a glass jaw. Exploiting Willis’ reputation for integrity and standing in the boxing community, Benko arranges a series of fixed fights that propel the unsophisticated Moreno to #1 contender for the championship. The reigning champ, the sadistic Buddy Brannen, harbors resentment at the publicity Toro has been receiving and vows to viciously punish him in the ring. Eddie must now decide whether or not to tell the naive Toro the truth.

Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally-miniscule rival, Blefiscu, as well as smooth the way for the romance between the Princess and Prince of the opposing lands. In this he is alternately aided and hampered by the Lilliputian town crier and general fussbudget, Gabby. A life-threatening situation develops when the bumbling trio of Blefiscu spies, Sneak, Snoop, and Snitch, manage to steal Gulliver’s pistol.

Film cutter Katie Griffin is hopelessly in love with writer Richard Mannhart, and starts an affair with him. When Mannhart’s wife is killed in a road accident, Katie tells the police she thinks he’s tampered with his wife’s car. Being questioned Mannhart declares he’s innocent. Not only that, he also denies any amorous involvement with Griffin. As it is her word against his, both parties are pressed to back up their stories with hard evidence. Finally Katie comes up with some. End of story?

In the carnival in Spain in the beginning of the Twentieth Century, the exiled republican Antonio Galvan comes from Paris masquerade to enjoy the party and visit his friend Capt. Don Pasqual ‘Pasqualito’ Costelar. However, he flirts with the mysterious Concha Perez and they schedule to meet each other later. When Antonio meets Pasqualito, his old friend discloses his frustrated relationship with the promiscuous Concha and her greedy mother and how his life was ruined by his obsession for the beautiful demimondaine. Pasqualito makes Antonio promise that he would not see Concha. However, when Antonio meets Concha, she seduces him and the long friendship between Antonio and Pasqualito is disrupted

I Don’t Belong Anywhere – Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

A debate rages over the credibility of the Bible. Most archaeologists today have concluded that there’s no evidence that the Exodus of Israelite slaves from Egypt ever happened. Filmmaker Timothy Mahoney faces a crisis of faith: “Is this foundation event of the Bible really just a myth?” He embarks on a 12-year journey around the world to search for answers. Patterns of Evidence: The Exodus unlocks the mystery of this ancient saga, combining a scientific investigation with a retelling of the Exodus story to reveal an amazing pattern of evidence matching the biblical account that may challenge our understanding of history. It features stunning animations, narration by Kevin Sorbo (God’s not dead, Hercules: The Legendary Journey), interviews with leading archaeologists such as Israel Finkelstein, Kent Weeks, and David Rohl, and guest appearances by Israel’s Benjamin Netanyahu and Shimon Peres.

El Tenso does not know how to face his ill-tempered wife, Tana, to tell her that he wants to separate. Carlos, a friend of Tenso, suggests him to invert the situation and cause Tana to leave him by hiring Cuervo Flores, an irresistible seducer, to try and charm his wife until she falls in love with him.

A romantic comedy about Amira, an English tutor, and Juki, a hot-tempered Betawi guy. It begins when Suchin, a Thailand girl who is also Juki girlfriend, asks Amira, her English tutor, to tell Juki that they brakes up because she gets a job in America. During this time she and Juki communicate through gestures. When Amira tells Suchin message, Juki does not accept it and forces Amira to teach him English, to follow Suchin. For fear of Juki, Amira tutors him privately. At the same time, another guy, Taufan, is approaching Amira.